Monday, October 26, 2020

Temporary Suspension of Cynicism

 Temporary Suspension of Cynicism

 

The little way

A door opens and a baker with a loaf of bread, startled

A waitress on a break stubbing out her cigarette

The rippling light as I wait

The quiet suspension of all cynicism

The loading and unloading of a boat somewhere

And then a burst of song and guitar - the gondoliers serenading their package tour junkies...


And cynicism is back

Or maybe not

Because the song is beautiful and his voice echoes in the silence afterward

Cackles of unseen locals

As I sit, an auditory tourist

Peeping at Venetian scenes

Through a crack in my window

 

Sunday, September 2, 2018

THE TENT

 Winner of the Elle Decor short story competition.
published by Westland Tranquebar as part of Bakers Dozen, a collection of stories

THE TENT

When my mother was 16, she ran away from home to join a travelling theatre.
There, among cheap, painted tributes to epic heroes and dim-witted gods immortalized by bad TV, she learned to wriggle and sway in approximations of laavani and kathak that would have made an item girl of her today. She forgot her middle class manners, and lost her virginity to a mustached, tin-breasted Rama. Transfixed in the glare of floodlit adulation, she became an addict to momentary dreams manufactured under a brightly coloured shamiana tent. The smell of sooty kaajal and waxy pancake were trusted confidantes. The cacophony of sound and belligerence were her lifeline; her deity was the nautanki, erasing her past like it had never been. Stroking the downy face of the boy harmonium player when he cried for his mother in the moonlit night, she fancied she saw her future scrawled in the stars in a handwriting that she swore she knew from somewhere.

Meanwhile, my future father lounged on the lawns of a university in the belly of America, surrounded by long-haired girls who gave him their bodies and their opinions with equal fervor. He studied physics and advanced calculus and welcomed his first hangover like a long lost friend. He memorized the words of songs that had an alien yet achingly familiar beat and so drilled disco into his brain. He wrote dutiful letters to amma that said nothing at all, his good grades payback for his father’s desertion. Then they said he should come home, she was sick, and he did. But she wasn’t sick. She was desperate.

When they finally found my mother, she was washing her Draupadi costume and the water was running green, red and yellow from the material. She heard them coming, but she didn’t look up till her father was standing right in front of her. He said her name in a strangled voice, and she stood up and went home with them. The colours of the fabric ran in a little rivulet down the slope in front of them. The alta on her feet was as bright as blood.

She went with them, but if they’d looked closely, they would have seen a tiny multicolored tent imprinted upside down in her eyes. She took her tent home with her. The white walls of her bedroom became a screen where she projected the image and watched it with delight, the filmy music in her head drowning out the voices asking, asking, asking questions, my grandmother screaming and shaking her, her sister scared to touch the stranger she had become. One evening my grandmother came home from the office to find her box of sindoor lying upturned, most of its contents smeared on my mother’s lips and eyes and forehead. Durga in all her fury had slayed the demon Mahishasura and the pumpkin for tonight’s dinner lay slashed like a bloodied head in the living room.

And so it transpired that the son of a shamed widow met a girl who shamed her family. The widow needed continuity of her family name and the girl’s family needed to shroud theirs. In a crowded drawing room under the stern gaze of Raja Ravi Varma calendars and glass showcases filled with a myriad pieces of broken hearts, he looked into her eyes, and you know what? He saw that tent. And even though it was upside down, he recognized the patterns drawn on it, and he liked them. So he said yes.

When I was born they moved to a town close to the sea. I know they loved each other because they called each other names that sounded like caresses. Sometimes she would put me on her lap and sing me sweet songs that made the image in her eyes dance. At other times she would jump up and become Arjuna, shooting arrow after arrow into the hearts of his cousins, then weeping tears of guilt. While other children learned nursery rhymes, I recited loud monologues from mythological dramas, threatening to send Sita through fiery examinations, or Satyavaan straight to hell (I loved Yama). I shook with excitement when she was Shakuntala demanding her wife-status from her amnesiac husband, and laughed uproariously at Lanka burning by a dancing monkey’s tail. Tom and Jerry seemed sort of tame in comparison.

She wore ghungroos around the house and so I always knew where she was. I learned to recognize her moods through the timbre and tone of those little bells: the quiver when he snuck up from behind and wrapped his arms around her, the sudden giggly shuffle when I walked into their bedroom unannounced, the raging jangle when she was angry with him or me, the sad tinkle when she gazed out at the ocean at twilight, every evening before he came home. I wanted to ask her what she was thinking, why the roar of the waves made her cry, but I couldn’t. Instead, I ran back to my room and found my new plastic camera, and took a picture of her. That will remain my abiding memory of my mother.

I remember vividly the day the bells stopped jingling. I ran from room to room, calling for her, but all that was left were the ghungroos lying forlorn on the bedroom floor. I grabbed them and ran outside. I flung them as far as my little arms could into the loud sea, the sea that made my mother cry. My father didn’t smile much after that. The rapture had gone from our lives, without even a curtain call to take credit for its performance. It was so, so quiet now, and would be for a long time after.

                                    *          *          *          *          *                     

Now I look for her every chance I get, my camera slung around my neck, my fading hope wrapped around my body like a warm fleece. I take pictures of tawdry trapeze artists in circuses swinging from shaky ropes in impossibly shiny costumes. I sit through interminable jatras and sleazy Marathi dance shows looking for a glimpse of her. I follow a theatre troupe in Shimoga till it is clear they will eject me by force if I don’t leave. I take thousands of pictures but I never find that upside down tent in anyone’s eyes. My father sends me emails that I read sporadically when I am in towns with stuffy booths masquerading as cyber cafes. Come back, beta, he says, in every email. Why did I let you go? Why did I give you that camera when you were small? Why can’t you work in Rishu uncle’s ad agency instead? What good will all this do? The self-recriminations and questions continue. Because although I haven’t told him, he knows I am searching for her. But he is as well. I see him, hunched over the new computer I bought him with my last salary from the agency. My search is surprisingly old fashioned, whereas his is governed by the new detective devtas, Google and Wikipedia.

                                    *          *          *          *          *
I’m not sure when his search began, because it wasn’t right after she left. I remember days of stillness. All activity paused like a bad-print glitch on a pirated dvd. Someone came in to cook, to bathe me, to send me to school. But in our house there was thick air of hush. Moving through it was like navigating a muted warzone, sticky as the treacle I read about in my Just William books and secretly yearned to taste.

It must have gotten better at some point I suppose, because I grew up all right, and he went back to work, and my grandmother came to take care of us. We never mentioned my mother; it was part of the stillness inaudible to anyone but the two of us. Paati put all my mother’s pictures away, and I saw them again only after she died. My father arranged them all on top of a bureau, like an altar to a living goddess. The usual family photos of them, of me, of me with them, all of us always laughing, smiling, wind blown. He lit agarbattis every day at the altar of her, like she was dead. But I know she isn’t. And so does he.

                                    *          *          *          *          *

The rain is coming down, and I huddle with a hundred others under the tent, all of us steaming with the smells of the monsoon and unwashed clothes. Two young girls dressed in tight gold and silver gota-edged kurtas are teasing the audience with pelvic jerks done brazenly to a Bipasha number. But they are just the opening act, and as they twirl off the makeshift stage, there is a moment of quiet, when a hundred drooling men take a collective breath in preparation for more. Then a song starts blaring out of the distorted speakers, an old Mumtaz one from the seventies where she is exhorting her lover to be unafraid of the silken shroud of her hair. A dancer appears. She is older, perhaps in her thirties, maybe even forty, and she begins to dance. There is nothing cheap about this one, and every man in the audience knows it, and is rooted to his seat with white-knuckling lust. I follow her movements with my eyes, unable to reach for my camera lest she disappear the second my eyes leave her. For it is her, I am certain. Certain in the way one is when about to take turn on a street knowing it is leading home. The song is ending now, and she is whirling faster, her purple saree a blur, the hoarse shouting and clapping of the men getting more frenzied,
the screeching singing reaching a crescendo…..
….. and then it is done. I leap up and try to make my way to the stage but there are throngs of turned-on men who have the same thought, and a stronger urge, ahead of me. I want to get closer, but I can’t get to her, pushing, squeezing, elbows, ineffectual against the heaving horniness of the crowd. I just want to get close enough to look in her eyes, to find an image of that shamiana that I know is there in them. But she is swallowed up and I can no longer see her.

                                    *          *          *          *          *

I waited for hours in the drizzle till the last person left, and then went to the backstage area. She was gone. Guest performer, they said. No forwarding address. No looking back. The cloth of the red and blue tent flapped loudly in the wind, like a hard slap in the face.

Ruchika Chanana

rchanana@gmail.com  1726 words

Wednesday, March 28, 2018

social media woes, 2016

You’ve just warmed your hollige and just brewed your decaff, and settled down to enjoy the view of trees from your balcony, and maybe write a few intelligent things in your lovely notebook. Three seconds into this moment, you remember that message you had to send to your sister which is so, so important that it has to be done right now, right this minute.

15 minutes later, you look up. Your coffee cold, your hollige crisped beyond repair. Your moment sacrificed for the inconsequentia of other peoples’ social media lives.

Sigh.

Addictions are of different types. Time and relativity suddenly assume new meaning, when a couple of hours pass by in a flash of hash tags and a swish of a departing whatsapp. Or a ping, if that’s what your alerts preference is.

A lert. What’s a lert?
It’s certainly not the perky, observant creature I once was. Now I’m slothful and voyeuristic. I’m often envious, and disgusted with self promotions and shameless posturing. I’m cowed down by aggro comments in a way I never was/am in real life. Who are you, strange person? You are my evil doppelganger, my cowardly shadow. All the things I hate in other people.

You are my instatwitsnapbook Jekyll.

And the real me’s finding less and less places to hide.

Friday, July 30, 2010

my personal obama

As I listen and watch and hear

The hopes of millions

Feathers of expectations perched

On the shoulders of one man

Yes we can yes we can

my eyes turn inwards, my thoughts unspoken

to whether he and I

can.


Can we up-end our angst

Can we rewrite our inner programming

Can we dare to skype a future

Together?

Or will we finish last

Bashing our oh so smart heads

Against some imaginary wall of forlorn needs,

Of unrequited ego-trips

And dreams of perfection?


As America finds its new superhero

Can we lose our individual powers

And fight the war

With a love that spans our loneliness?


Maybe

Perhaps

Possibly-

Yes we can.


Nov 11th 2008, delhi

Sunday, October 11, 2009

collective analysis

as i drive in a taxi
down slick bombay roads,
i think poetic things


and then i wonder:
freed from armchair versifying,
are my thoughts original, mine alone?
or am i just getting Junger
as i get older?

Sunday, September 20, 2009

HUE AND CRY

Published in 21 Under 40- A collection of stories by women under Forty by Zubaan Books
2007

There are so many words I don’t know. I used to be able to do crosswords, but I just can’t get my mind around them anymore. Every time a word with more than six letters appears in even the periphery of my vision, I start. Not violently, you understand, but with a kind of half-pleasurable, half-surprised feeling. Because I am reminded always-always- of a tall, myopic plunderer. A creature who leaked in when I wasn’t looking.

But let me not be vague. Let me start at the top, because that’s where Arun always said you should start.

And because Arun was always right.

Some of us have sixth senses about future events, about tomorrows that may bring ecstasy or grief. A seventh child of a seventh child (how lonely that must be!) can sense phantom presences walking among us. I have a gift, too. I can tell when someone is lying. Right off, I know that the truth is being layered, or twisted, or simply ensconced in a velvet quilt of deceit.

This is not the easiest of gifts to unwrap and use.

When I was a girl, I would go and fetch milk for my mother. It was not a long walk, ten minutes at most, but every second of that trudge would terrify me. Something about the duplicity of the gray-green sari of the old washerwoman trundling along ahead of me, the dishonesty of the dawn light, the facetious guile of the milk vendor, all set my heart thudding. I could never tell anyone about this fear. They would only have laughed – and made the usual remarks about me having too much imagination, (not considered a virtue in a girl), and slyly hinting to my tight-lipped mother about their aunt’s sister-in law’s brother who would make a very suitable groom for her troublesome child.

I grew up very slowly, it seemed. My parents’ every white lie burnt a deep blue blister into my beliefs. Their social niceties made my insides churn. Santa Claus and the tooth fairy were my personal bogeymen. College was a morass of falsehoods, each of which coloured my perceptions a cloudy shade of mud. I learned early on that the truth is a rare commodity indeed.

My realization of my oddness crept up on me - I thought everyone saw through lies, that everyone was flooded with a colour when confronted with deceit. And so I didn’t do anything, didn’t say anything for a long time, convinced that this was just part of being alive. When finally I did realize I was special, that lies were stained glass to me alone, I embarked upon a series of tests.

Everyone failed.

My closest friends were liars.

My parents were liars.

My colleagues at the newspaper were liars.

No one told the truth all the time.

The reasons were immaterial to me - white lies, politeness, tact, fibs, fabrications, canards - all fell into the mixed bag of deceit. They all flooded my mind with angry hues and stopped me thinking.

And then I met Arun.

To Arun, words were everything. He was an etymologist, one of the brightest in the field. For him, words embodied life: they were the fuel for his brilliant thought processes, they were his chosen gods of worship. For him words were truth.

It was simple: he never lied. It never occurred to him to distort what was. When I was around him, I was colourless.

The first time he came into the room, , I felt a soothing splash of white on my soul-washing away the years of vibrant colour, the multihued stains of untruths and half-truths and falsehoods.

I don’t think he even noticed me, to begin with - I was just another sub-editor whose desk he passed when he came to hand in the week’s daily crosswords and the Sunday brain-teasers.

But I hung around him, hung on his every word, basking in the clear beige of his honesty, the very colour of the milky coffee we drank together in the canteen.

I listened to him - listened a lot - it didn’t matter that I hardly talked, hardly expressed my opinions - just feeling the no-colour of truth that hung around him was enough to satisfy a need I had felt since I could think.

I thought about letting Arun into my secret, about explaining to him my horror of the lie and the cooling balm of his honesty. However, it occurred to me, love-addled as I was, that the story sounded a bit pathetic, nothing like the mature, intelligent listener and yes-nodder I was playing to Arun’s academic, intellectual holder-forth.

Okay - so I was being a bit of a wimp. I see that now. But he seemed so perfect, so uncluttered, it was hard to stay objective, to stop myself hurtling down the ravine of infatuation. He talked a lot- the others made faces behind his back when he held forth, even called him a windbag, a bore, when he wasn’t around.But it was all wisdom to me. And it was the truth, pure and unadulterated.

I couldn’t ask for more.

We were married in June. I quit the paper to become a professional listener. My opinions mattered very little. If I did venture a comment, he looked at me patiently, a long-suffering adult hearing out a retarded child. We did crosswords; he explained how each word was born out of a root as involved and complicated as any human life, meandering through generations of use and misuse. His passion left me dumb-founded, but my mind was unsullied, uncluttered, empty of terror of the lie. The feeling of cleanliness remained my mainstay, his truthfulness the backbone of our marriage (though he didn’t know that).

The very colourlessness of my life amused and soothed me.

But one day Arun came home, and his usual beige was tinted at the edges by a pale lilac. He had stayed late at the library, he said.

The next time he came home late, the lilac had deepened into a turgid purple, and was bleeding threateningly onto the beige.

By the third “Sorry honey, got held up in a meeting,” the colour I was seeing was a dark, deep, unqualified red.

At first I could not react. I felt something I can only describe as the shade of the hour before you wake in the morning – gray, meaningless, not real life, a dream.

And then there was an anger, a rush of fury that matched in intensity the tint of his lie.

I felt betrayed, I felt the angst of the cheated wife, I felt waves of deep-staining colour that tainted my bleached happiness. The red grew from deep within me... it emulsified and fermented into a froth of crimson. How unfair it was, I thought melodramatically, to have perfection and then have it taken from you, how cruel!

That last time, he stood by the door, looking at me oddly, like I was the one painting his life with an upside down brush, like I was the artist of the pigment of destruction, when in reality, he was. He was the dauber of pretence and deception in my happy, nothing-tinged life. This was one canvas that could not be allowed to be painted.

He was saying my name, over and over, in that tone of voice that usually suffused me with white, the soother, the calmer - he knew this worked when I was upset, but of course he didn’t know why: that he was my curfew when riots of colourful lies overwhelmed my mind, that he was my censor against the obscenity of deception. But now my protector had become my attacker - his lies shooting sharp barbs of indelible dye at my heart.

I got up and went to him slowly, looked him in the face, asked him who she was, took in the stuttering denial as if from very far away, and then raised my hands to his face.

He stopped talking then, and as I ran my fingers over his features, he stared mesmerized at my half-closed eyes. I caressed the contours of his cheeks, nose, chin; I stroked the origins of the lie that had destroyed the perfection. I tilted my neck upwards to receive the kiss that was a loud blue of guilt. Its intensity was great - I felt his tongue in my mouth, reaching out to heal the wound it had caused.

Then I watched the expression in his eyes change from aroused to puzzled to frightened and then terrorized. The muffled sounds coming from his throat grew higher pitched, and the shriek of pain was animal in its terror as I spat his tongue out onto the floor. He staggered back, his hands covering his mouth. The colour of the blood that poured from him, that covered my face, that I could taste on my tongue, was the same as the colour of his final lie.

I welcomed back the truthful shade of nothing into my life.

But I still can’t do crosswords.

choice

Rainy July morning
my coffee bittersweet
eye-rolling news headlines
a new day.
Searching for clues
in latticed faces on crowded buses-
a choice doomed from origin, unborn.
One, a road infinitely exciting
of pseudo-adventure and fun;
the other- warmth, complacent being,
and days and days of love.
Two men so enmeshed in the backwaters of my brain,
a swamp of indecision, longing unexplained.
Tick the right box:
'all of the above', I say
- and fade immediately to another option...
And deeply ensconced in its velvet room,
my ego
beset by integrity
unravels the tangled strands
of choice.

1992